Liberation Psychology: 25 years on. A poem for Ignacio Martín-Baró

Lambs of God
(for my professor Ignacio Martín-Baró, written by Eugenia Castro)
The silence of the night
was broken in pieces
by the engines of the Cherokees.
The ground was trembling
with horror and grief
at malign and evil steps
The grass tried to stop them!
and impotent flowers screamed
calling help from heaven…
Shut up!!!
Angered boots squashed them
and a scarf of silence
covered the petals on the ground.
A cry of sorrow came from the trees
saying as a chorus:
You do not belong to us,
bloody thief, you robbed
my colors, colors of life.
They did not stop;
blind and deaf by the flag
dumb and brutalized by the march,
drugged by warrior words,
legacy from Malinche and Ladino past.
The door was raped.
without defence let them pass
the nightmare begun:
Time-space, space-reason
reason-time, space-time.
People’s chorus
Question answered ever since,
question answered by Arnulfo
to the wing – from East to West.
Answer known by all.
Answer given by the 7 lambs.
The other chorus:
The master plan was in time.
-American watches are exact-
you know how famous these watches are.
You know time is money,
and money is never enough.
Who are you on my road?!
A repeated story, started again:
The Antithesis against Lambs.
Darkness against light and brightness.
Aliens against kind Masters.
Violence against non-violence.
A repeated story ended again,
again, again, again… and again.
The day was over…
new Martyrs from the Calvary
as splinters in our hearts.
We are with you loved Lambs
God’s people, Lambs of God.
Con una rafaga de tiros ellos silenciaron tus labios Padre Nacho,
mas nosotros siguimos contigo cantando y gritando
“Tu sabes que esto no es justo”
Padre Nacho, with a spray of bullets they silenced your lips
but we continue with you; singing and screaming:
“You know this is not right”. 

Ana Eugenia Castro is a psychologist from EL Salvador, who lives and works in Australia. Her approach is within the social psychology of liberation and integrates different therapies, including existential, systemic, and creative arts-based approaches.

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